{"product_id":"spike-art-magazine-89-all-is-full-of-sound","title":"Spike Art Magazine #89 – All Is Full of Sound","description":"\u003cdiv class=\"Header-sc-xm0bfi-0 dkqTpo article__header__v2\"\u003e\n\u003cdiv class=\"sc-bdvvtL Container-sc-1m60ets-0 hILmGj jZoPgA container\"\u003e\n\u003cdiv class=\"sc-gsDKAQ Row-sc-14yu7qo-0 FDGLX\"\u003e\n\u003cdiv class=\"sc-dkPtRN Col-sc-1ab1tnk-0 fdvkwX hDhYWV\"\u003e\n\u003cdiv class=\"StickyContainer-sc-1ob1zyg-0 kNAKdl\"\u003e\n\u003cdiv class=\"Box-sc-1ca3b73-0 Flex-sc-rp21x4-0 kMdGQN fnDYlt box box__flex\"\u003e\n\u003cdiv class=\"Box-sc-1ca3b73-0 Flex-sc-rp21x4-0 jFvobR jbxLsT box box__flex\"\u003e\n\u003cp class=\"Paragraph-sc-1j4i9ol-0 ResponsiveParagraph-sc-fr9o5l-0 Introduction__StyledResponsiveParagraph-sc-14puwv6-0 fxYlDT lRzUv hupZul paragraph paragraph--font-loud paragraph--line-tight paragraph--weight-thin paragraph paragraph--font-loud paragraph--line-tight paragraph--weight-thin paragraph__responsive-paragraph paragraph__responsive-paragraph--lg--xxx-large-text paragraph__responsive-paragraph--md--xx-large-text paragraph__responsive-paragraph--sm--x-large-text paragraph__responsive-paragraph--xs--x-large-text\"\u003eFrom algorithmic earworms to machine-made music and immersive exhibitions, Spike’s Autumn 2026 issue asks why contemporary art is so obsessed with sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Body-sc-ywjixr-0 jKsrqA article__body\"\u003e\n\u003cdiv class=\"sc-bdvvtL Container-sc-1m60ets-0 hILmGj jZoPgA container\"\u003e\n\u003cdiv class=\"sc-gsDKAQ Row-sc-14yu7qo-0 ixVOey\"\u003e\n\u003cdiv class=\"sc-dkPtRN Col-sc-1ab1tnk-0 hrunFV hDhYWV\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"Paragraph-sc-1j4i9ol-0 MediumParagraph-sc-1j3dud6-0 Paragraph-sc-1tqob7r-0 fxYlDT kIiOXN kxIRHP paragraph paragraph--with-measure paragraph--font-sans-serif paragraph--weight-thin paragraph paragraph--with-measure paragraph--font-sans-serif paragraph--weight-thin paragraph__medium-paragraph\"\u003eFor our Autumn 2026 issue, Spike looks at the growing obsession with \u003cstrong\u003eSOUND\u003c\/strong\u003e – from algorithmic earworms to immersive exhibitions and music made by machines – and asks: Why is something so elusive becoming our favorite way to set the mood? The answers are eclectic, vibrant, and sometimes dissonant: \u003cstrong\u003eAodhan Madden\u003c\/strong\u003e traces hyperpop’s sweet rise and sticky demise; \u003cstrong\u003eBrian Droitcour\u003c\/strong\u003e diagnoses art’s age of \u003cstrong\u003e“vibe”\u003c\/strong\u003e; \u003cstrong\u003eAlex Quicho\u003c\/strong\u003e indulges the guilty pleasures of AI music. Avant-garde icon \u003cstrong\u003eLaurie Anderson\u003c\/strong\u003e talks to \u003cstrong\u003eDan Fox\u003c\/strong\u003e; \u003cstrong\u003eTravis Jeppesen\u003c\/strong\u003eenters the visceral audiovisual worlds of \u003cstrong\u003eLucien Castaing-Taylor \u003c\/strong\u003eand\u003cstrong\u003e Verena Paravel\u003c\/strong\u003e; \u003cstrong\u003eIsabella Zamboni\u003c\/strong\u003e listens for silence in paintings by \u003cstrong\u003eAgnes Martin\u003c\/strong\u003e, \u003cstrong\u003eR. H. Quaytman\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003eand others; \u003cstrong\u003eSteve Goodman\u003c\/strong\u003e (aka\u003cstrong\u003e Kode9\u003c\/strong\u003e) on what sound does to the brain; \u003cstrong\u003eDJ Courtesy\u003c\/strong\u003e on what art can learn from the club; \u003cstrong\u003eVille Haimala\u003c\/strong\u003e of \u003cstrong\u003eAmnesia Scanner\u003c\/strong\u003e on the musical history of Myspace; \u003cstrong\u003eReece Cox\u003c\/strong\u003e on the best sound art LPs; a visual essay by \u003cstrong\u003eAkeem Smith\u003c\/strong\u003e; and \u003cstrong\u003eSteven Phillips-Horst\u003c\/strong\u003e decodes the synthetic future in sonic branding. Plus! A backpage audio diary from \u003cstrong\u003eTea Hačić-Vlahović\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eAbout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFounded by the artist Rita Vitorelli in 2004, Spike is a contemporary art magazine aimed at sustaining a vigorous, independent, and meaningful art criticism. At the heart of each issue are feature essays by leading critics and curators on artists making work that plays a significant role in current debates. Situated between art theory and practice and ranging far beyond its editorial base in Vienna and Berlin, Spike is both rigorously academic and stylishly essayistic. Spike’s renowned pool of contributing writers, artists, collectors and gallerists observe and reflect on contemporary art and analyse international developments in contemporary culture, offering its readers both intimacy and immediacy through an unusually open editorial approach that is not afraid of controversy and provocation. \u003c\/span\u003e\u003c\/p\u003e","brand":"Spike Art Quarterly","offers":[{"title":"Default Title","offer_id":59327839797512,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1486\/2388\/files\/GN_spike26.gif?v=1793634264","url":"https:\/\/gudbergnerger.com\/products\/spike-art-magazine-89-all-is-full-of-sound","provider":"GUDBERG NERGER","version":"1.0","type":"link"}